Saturday, June 29, 2013

Little Summer Poem Touching the Subject of Faith by Mary Oliver


Every summer
        I listen and look
                 under the sun's brass and even
                         in the moonlight, but I can't hear

anything, I can't see anything—
        not the pale roots digging down, nor the green stalks muscling up,
                 nor the leaves
                         deepening their damp pleats,

nor the tassels making,
        nor the shucks, nor the cobs.
                 And still,
                         every day,

the leafy fields
        grow taller and thicker—
                 green gowns lifting up in the night,
                         showered with silk.

And so, every summer,
        I fail as a witness, seeing nothing—
                 I am deaf too
                         to the tick of the leaves,

the tapping of downwardness from the banyan feet—
        all of it
                 happening
                         beyond all seeable proof, or hearable hum.

And, therefore, let the immeasurable come.
        Let the unknowable touch the buckle of my spine.
                 Let the wind turn in the trees,
                         and the mystery hidden in dirt

swing through the air.
        How could I look at anything in this world
                 and tremble, and grip my hands over my heart?
                         What should I fear?

One morning
        in the leafy green ocean
                 the honeycomb of the corn's beautiful body
                         is sure to be there.

Fireside by Seamus Heaney


Always there would be stories of lights
hovering among bushes or at the foot
of a meadow; maybe a goat with cold horns
pluming into the moon; a tingle of chains

on the midnight road. And then maybe
word would come round of that watery
art, the lamping of fishes, and I'd be
mooning my flashlamp on the licked black pelt

of the stream, my left arm splayed to take
a heavy pour and run of the current
occluding the net. Was that the beam
buckling over an eddy or a gleam

of the fabulous? Steady the light
and come to your senses, they're saying good-night.

Monday, February 18, 2013

One Today by Richard Blanco

Poem written for the inauguration of President Barack Obama's second term.

One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.
My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper—
bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives—
to teach geometry, or ring-up groceries as my mother did
for twenty years, so I could write this poem.
All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches 2
as mothers watch children slide into the day.
One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.
The dust of farms and deserts, cities and plains
mingled by one wind—our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.
Hear: squeaky playground swings, trains whistling,
or whispers across café tables, Hear: the doors we open
for each other all day, saying: hello| shalom,
buon giorno |howdy |namaste |or buenos días
in the language my mother taught me—in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.
One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound 3
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.
One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always—home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country—all of us—
facing the stars
hope—a new constellation
waiting for us to map it,
waiting for us to name it—together

Saturday, February 9, 2013

The Bitter End by Daniel Anderson

Summoned from a fresh page
Of winter, and finished with a stovepipe hat,
The snowman started life in middle age, 
           Bald and running to fat.

           In a corner of the yard
Beneath an ice-encrusted pine tree tassel,
Honor-bound and dauntless, he stood guard
           Over the frozen castle

           Built also by a child
On the unshovelled morning after the storm.
He lingers there, content to wait, in a mild
           And vaguely human form,

           Dissolving into the mud.
He's shed his scarf and dropped his walking cane,
Endured the soft and intermittent thud
           Of January rain,

           And still maintains his grinning
While comprehending nothing of his demise,
Not the dangling corncob nor the thinning
           Sockets of his eyes.

           He makes the slow return
From gutter stream through glittering brook to sea
With relatively small or no concern
           For his own misery;

           He's never been known to grouse
About warm weather or his loosening bones,
And all day long he's faced this lonely house
           Cracking his smile of stones.


Wheatfield by Claude Monet

Return of the Prodigal Son by Rembrandt

The Fall of Icarus by Breugel

Still Life with Coffee Pot by Pissarro

The Birth of Venus by Botticelli

St. Paul's Basilica by Giovanni Paolo Pannini

Cypress Trees with Moon by Vincent Van Gogh

The Empire of Light by Rene Magritte

The Reader by Gerard

Jack-in-Pulpit Abstraction by Georgia O'Keeffe