Showing posts with label Munro.H.H.. Show all posts
Showing posts with label Munro.H.H.. Show all posts

Thursday, July 5, 2007

Laura by Saki, H.H. Munro


“You are not really dying, are you?” asked Amanda.

“I have the doctor’s permission to live till Tuesday,” said Laura.

“But to-day is Saturday; this is serious!” gasped Amanda.

“I don’t know about it being serious; it is certainly Saturday,” said Laura.

“Death is always serious,” said Amanda.

“I never said I was going to die. I am presumably going to leave off being Laura, but I shall go on being something. An animal of some kind, I suppose. You see, when one hasn’t been very good in the life one has just lived, one reincarnates in some lower organism. And I haven’t been very good, when one comes to think of it. I’ve been petty and mean and vindictive and all that sort of thing when circumstances have seemed to warrant it.”

“Circumstances never warrant that sort of thing,” said Amanda hastily.

“If you don’t mind my saying so,” observed Laura, “Egbert is a circumstance that would warrant any amount of that sort of thing. You’re married to him—that’s different; you’ve sworn to love, honour, and endure him: I haven’t.”

“I don’t see what’s wrong with Egbert,” protested Amanda.

“Oh, I daresay the wrongness has been on my part,” admitted Laura dispassionately; “he has merely been the extenuating circumstance. He made a thin, peevish kind of fuss, for instance, when I took the collie puppies from the farm out for a run the other day.”

“They chased his young broods of speckled Sussex and drove two sitting hens off their nests, besides running all over the flower beds. You know how devoted he is to his poultry and garden.”

“Anyhow, he needn’t have gone on about it for the entire evening and then have said, ‘Let’s say no more about it’ just when I was beginning to enjoy the discussion. That’s where one of my petty vindictive revenges came in,” added Laura with an unrepentant chuckle; “I turned the entire family of speckled Sussex into his seedling shed the day after the puppy episode.”

“How could you?” exclaimed Amanda.

“It came quite easy,” said Laura; “two of the hens pretended to be laying at the time, but I was firm.”

“And we thought it was an accident!”

“You see,” resumed Laura, “I really have some grounds for supposing that my next incarnation will be in a lower organism. I shall be an animal of some kind. On the other hand, I haven’t been a bad sort in my way, so I think I may count on being a nice animal, something elegant and lively, with a love of fun. An otter, perhaps.”

“I can’t imagine you as an otter,” said Amanda.

“Well, I don’t suppose you can imagine me as an angel, if it comes to that,” said Laura.

Amanda was silent. She couldn’t.

“Personally I think an otter life would be rather enjoyable,” continued Laura; “salmon to eat all the year round, and the satisfaction of being able to fetch the trout in their own homes without having to wait for hours till they condescend to rise to the fly you’ve been dangling before them; and an elegant svelte figure—”

“Think of the otter hounds,” interposed Amanda; “how dreadful to be hunted and harried and finally worried to death!”

“Rather fun with half the neighbourhood looking on, and anyhow not worse than this Saturday-to-Tuesday business of dying by inches; and then I should go on into something else. If I had been a moderately good otter I suppose I should get back into human shape of some sort; probably something rather primitive—a little brown, unclothed Nubian boy, I should think.”

“I wish you would be serious,” sighed Amanda; “you really ought to be if you’re only going to live till Tuesday.”

As a matter of fact Laura died on Monday.

“So dreadfully upsetting,” Amanda complained to her uncle-in-law, Sir Lulworth Quayne. “I’ve asked quite a lot of people down for golf and fishing, and the rhododendrons are just looking their best.”

“Laura always was inconsiderate,” said Sir Lulworth; “she was born during Goodwood week, with an Ambassador staying in the house who hated babies.”

“She had the maddest kind of ideas,” said Amanda; “do you know if there was any insanity in her family?”

“Insanity? No, I never heard of any. Her father lives in West Kensington, but I believe he’s sane on all other subjects.”

“She had an idea that she was going to be reincarnated as an otter,” said Amanda.

“One meets with those ideas of reincarnation so frequently, even in the West,” said Sir Lulworth, “that one can hardly set them down as being mad. And Laura was such an unaccountable person in this life that I should not like to lay down definite rules as to what she might be doing in an after state.”

“You think she really might have passed into some animal form?” asked Amanda. She was one of those who shape their opinions rather readily from the standpoint of those around them.

Just then Egbert entered the breakfast-room, wearing an air of bereavement that Laura’s demise would have been insufficient, in itself, to account for.

“Four of my speckled Sussex have been killed,” he exclaimed; “the very four that were to go to the show on Friday. One of them was dragged away and eaten right in the middle of that new carnation bed that I’ve been to such trouble and expense over. My best flower bed and my best fowls singled out for destruction; it almost seems as if the brute that did the deed had special knowledge how to be as devastating as possible in a short space of time.”

“Was it a fox, do you think?” asked Amanda.

“Sounds more like a polecat,” said Sir Lulworth.

“No,” said Egbert, “there were marks of webbed feet all over the place, and we followed the tracks down to the stream at the bottom of the garden; evidently an otter.”

Amanda looked quickly and furtively across at Sir Lulworth.

Egbert was too agitated to eat any breakfast, and went out to superintend the strengthening of the poultry yard defences.

“I think she might at least have waited till the funeral was over,” said Amanda in a scandalised voice.

“It’s her own funeral, you know,” said Sir Lulworth; “it’s a nice point in etiquette how far one ought to show respect to one’s own mortal remains.”

Disregard for mortuary convention was carried to further lengths next day; during the absence of the family at the funeral ceremony the remaining survivors of the speckled Sussex were massacred. The marauder’s line of retreat seemed to have embraced most of the flower beds on the lawn, but the strawberry beds in the lower garden had also suffered.

“I shall get the otter hounds to come here at the earliest possible moment,” said Egbert savagely.

“On no account! You can’t dream of such a thing!” exclaimed Amanda. “I mean, it wouldn’t do, so soon after a funeral in the house.”

“It’s a case of necessity,” said Egbert; “once an otter takes to that sort of thing it won’t stop.”

“Perhaps it will go elsewhere now there are no more fowls left,” suggested Amanda.

“One would think you wanted to shield the beast,” said Egbert.

“There’s been so little water in the stream lately,” objected Amanda; “it seems hardly sporting to hunt an animal when it has so little chance of taking refuge anywhere.”

“Good gracious!” fumed Egbert, “I’m not thinking about sport. I want to have the animal killed as soon as possible.”

Even Amanda’s opposition weakened when, during church time on the following Sunday, the otter made its way into the house, raided half a salmon from the larder and worried it into scaly fragments on the Persian rug in Egbert’s studio.

“We shall have it hiding under our beds and biting pieces out of our feet before long,” said Egbert, and from what Amanda knew of this particular otter she felt that the possibility was not a remote one.

On the evening preceding the day fixed for the hunt Amanda spent a solitary hour walking by the banks of the stream, making what she imagined to be hound noises. It was charitably supposed by those who overheard her performance, that she was practising for farmyard imitations at the forth-coming village entertainment.

It was her friend and neighbour, Aurora Burret, who brought her news of the day’s sport.

“Pity you weren’t out; we had quite a good day. We found at once, in the pool just below your garden.”

“Did you—kill?” asked Amanda.

“Rather. A fine she-otter. Your husband got rather badly bitten in trying to ‘tail it.’ Poor beast, I felt quite sorry for it, it had such a human look in its eyes when it was killed. You’ll call me silly, but do you know who the look reminded me of? My dear woman, what is the matter?”

When Amanda had recovered to a certain extent from her attack of nervous prostration Egbert took her to the Nile Valley to recuperate. Change of scene speedily brought about the desired recovery of health and mental balance. The escapades of an adventurous otter in search of a variation of diet were viewed in their proper light. Amanda’s normally placid temperament reasserted itself. Even a hurricane of shouted curses, coming from her husband’s dressing-room, in her husband’s voice, but hardly in his usual vocabulary, failed to disturb her serenity as she made a leisurely toilet one evening in a Cairo hotel.

“What is the matter? What has happened?” she asked in amused curiosity.

“The little beast has thrown all my clean shirts into the bath! Wait till I catch you, you little—”

“What little beast?” asked Amanda, suppressing a desire to laugh; Egbert’s language was so hopelessly inadequate to express his outraged feelings.

“A little beast of a naked brown Nubian boy,” spluttered Egbert.

And now Amanda is seriously ill.

Friday, February 23, 2007

Adrian by Saki, H.H. Munro

A Chapter in Acclimatization

His baptismal register spoke of him pessimistically as John Henry but he had left that behind with the other maladies of infancy, and his friends knew him under the front-name of Adrian. His mother lived in Bethnal Green, which was not altogether his fault; one can discourage too much history in one’s family, but one cannot always prevent geography. And, after all, the Bethnal Green habit has this virtue-that it is seldom transmitted to the next generation. Adrian lived in a roomlet which came under the auspicious constellation of W.

How he lived was to a great extent a mystery even to himself; his struggle for existence probably coincided in many material details with the rather dramatic accounts he gave of it to sympathetic acquaintances. All that is definitely known is that he now and then emerged from the struggle to dine at the Ritz or Carlton, correctly garbed and with a correctly critical appetite. On these occasions he was usually the guest of Lucas Croyden, an amiable worldling, who had three thousand a year and a taste for introducing impossible people to irreproachable cookery. Like most men who combine three thousand a year with an uncertain digestion, Lucas was a Socialist, and he argued that you cannot hope to elevate the masses until you have brought plovers” eggs into their lives and taught them to appreciate the difference between coupe Jacques and Macédoine de fruits. His friends pointed out that it was a doubtful kindness to initiate a boy from behind a drapery counter into the blessedness of the higher catering, to which Lucas invariably replied that all kindnesses were doubtful. Which was perhaps true.

It was after one of his Adrian evenings that Lucas met his aunt, Mrs. Mebberley, at a fashionable teashop, where the lamp of family life is still kept burning and you meet relatives who might otherwise have slipped your memory.

“Who was that good-looking boy who was dining with you last night?” she asked. “He looked much too nice to be thrown away upon you.”

Susan Mebberley was a charming woman, but she was also an aunt.

“Who are his people?” she continued, when the protégé’s name (revised version) had been given her.

“His mother lives at Beth—”

Lucas checked himself on the threshold of what was perhaps a social indiscretion.

“Beth? Where is it? It sounds like Asia Minor. Is she mixed up with Consular people?”

“Oh, no. Her work lies among the poor.”

This was a side-slip into truth. The mother of Adrian was employed in a laundry.

“I see,” said Mrs. Mebberley, “mission work of some sort. And meanwhile the boy has no one to look after him. It’s obviously my duty to see that he doesn’t come to harm. Bring him to call on me.”

“My dear Aunt Susan,” expostulated Lucas, “I really know very little about him. He may not be at all nice, you know, on further acquaintance.”

“He has delightful hair and a weak mouth. I shall take him with me to Homburg or Cairo.”

“It’s the maddest thing I ever heard of,” said Lucas angrily.

“Well, there is a strong strain of madness in our family. If you haven’t noticed it yourself all your friends must have.”

“One is so dreadfully under everybody’s eyes at Homburg. At least you might give him a preliminary trial at Etretat.”

“And be surrounded by Americans trying to talk French? No, thank you. I love Americans, but not when they try to talk French. What a blessing it is that they never try to talk English. Tomorrow at five you can bring your young friend to call on me.”

And Lucas, realizing that Susan Mebberley was a woman as well as an aunt, saw that she would have to be allowed to have her own way.

Adrian was duly carried abroad under the Mebberley wing; but as a reluctant concession to sanity Homburg and other inconveniently fashionable resorts were given a wide berth, and the Mebberley establishment planted itself down in the best hotel at Dohledorf, an Alpine townlet somewhere at the back of the Engadine. It was the usual kind of resort, with the usual type of visitors, that one finds over the greater part of Switzerland during the summer season, but to Adrian it was all unusual. The mountain air, the certainty of regular and abundant meals, and in particular the social atmosphere, affected him much as the indiscriminating fervour of a forcing-house might affect a weed that had strayed within its limits. He had been brought up in a world where breakages were regarded as crimes and expiated as such; it was something new and altogether exhilarating to find that you were considered rather amusing if you smashed things in the right manner and at the recognised hours. Susan Mebberley had expressed the intention of showing Adrian a bit of the world; the particular bit of the world represented by Dohledorf began to be shown a good deal of Adrian.

Lucas got occasional glimpses of the Alpine sojourn, not from his aunt or Adrian, but from the industrious pen of Clovis, who was also moving as a satellite in the Mebberley constellation.

‘t he entertainment which Susan got up last night ended in disaster. I thought it would. The Grobmayer child, a particularly loathsome five-year-old, had appeared as “Bubbles” during the early part of the evening, and been put to bed during the interval. Adrian watched his opportunity and kidnapped it when the nurse was downstairs, and introduced it during the second half of the entertainment, thinly disguised as a performing pig. It certainly looked very like a pig, and grunted and slobbered just like the real article; no one knew exactly what it was, but every one said it was awfully clever, especially the Grobmayers. At the third curtain Adrian pinched it too hard, and it yelled “Marmar”! I am supposed to be good at descriptions, but don’t ask me to describe the sayings and doings of the Grobmayers at that moment; it was like one of the angrier Psalms set to Strauss’s music. We have moved to an hotel higher up the valley.”

Clovis’s next letter arrived five days later, and was written from the Hotel Steinbock.

“We left the Hotel Victoria this morning. It was fairly comfortable and quite—at least there was an air of repose about it when we arrived. Before we had been in residence twenty-four hours most of the repose had vanished “like a dutiful bream,” as Adrian expressed it. However, nothing unduly outrageous happened till last night, when Adrian had a fit of insomnia and amused himself by unscrewing and transposing all the bedroom numbers on his floor. He transferred the bathroom label to the adjoining bedroom door, which happened to be that of Frau Hofrath Schilling, and this morning from seven o’clock onwards the old lady had a stream of involuntary visitors; she was too horrified and scandalised it seems to get up and lock her door. The would-be bathers flew back in confusion to their rooms, and, of course, the change of numbers led them astray again, and the corridor gradually filled with panic-stricken, scantily robed humans, dashing wildly about like rabbits in a ferret-infested warren. It took nearly an hour before the guests were all sorted into their respective rooms, and the Frau Hofrath’s condition was still causing some anxiety when we left. Susan is beginning to look a little worried. She can’t very well turn the boy adrift, as he hasn’t got any money, and she can’t send him to his people as she doesn’t know where they are. Adrian says his mother moves about a good deal and he’s lost her address. Probably, if the truth were known, he’s had a row at home. So many boys nowadays seem to think that quarrelling with one’s family is a recognised occupation.”

Lucas’s next communication from the travellers took the form of a telegram from Mrs. Mebberley herself. It was sent ‘reply prepaid,’ and consisted of a single sentence: “In Heaven’s name, where is Beth?”

Saturday, February 3, 2007

The Background by Saki, H.H. Munro

"That woman's art-jargon tires me," said Clovis to his journalist friend. "She's so fond of talking of certain pictures as 'growing on one,' as though they were a sort of fungus."

"That reminds me," said the journalist, "of the story of Henri Deplis. Have I ever told it you?"

Clovis shook his head.

"Henri Deplis was by birth a native of the Grand Duchy of Luxemburg. On maturer reflection he became a commercial traveller. His business activities frequently took him beyond the limits of the Grand Duchy, and he was stopping in a small town of Northern Italy when news reached him from home that a legacy from a distant and deceased relative had fallen to his share.

"It was not a large legacy, even from the modest standpoint of Henri Deplis, but it impelled him towards some seemingly harmless extravagances. In particular it led him to patronize local art as represented by the tattoo-needles of Signor Andreas Pincini. Signor Pincini was, perhaps, the most brilliant master of tattoo craft that Italy had ever known, but his circumstances were decidedly impoverished, and for the sum of six hundred francs he gladly undertook to cover his client's back, from the collar-bone down to the waist-line, with a glowing representation of the Fall of Icarus. The design, when finally developed, was a slight disappointment to Monsieur Deplis, who had suspected Icarus of being a fortress taken by Wallenstein in the Thirty Years' War, but he was more than satisfied with the execution of the work, which was acclaimed by all who had the privilege of seeing it as Pincini's masterpiece.

"It was his greatest effort, and his last. Without even waiting to be paid, the illustrious craftsman departed this life, and was buried under an ornate tombstone, whose winged cherubs would have afforded singularly little scope for the exercise of his favourite art. There remained, however, the widow Pincini, to whom the six hundred francs were due. And thereupon arose the great crisis in the life of Henri Deplis, traveller of commerce. The legacy, under the stress of numerous little calls on its substance, had dwindled to very insignificant proportions, and when a pressing wine bill and sundry other current accounts had been paid, there remained little more than 430 francs to offer to the widow. The lady was properly indignant, not wholly, as she volubly explained, on account of the suggested writing-off of 170 francs, but also at the attempt to depreciate the value of her late husband's acknowledged masterpiece. In a week's time Deplis was obliged to reduce his offer to 405 francs, which circumstance fanned the widow's indignation into a fury. She cancelled the sale of the work of art, and a few days later Deplis learned with a sense of consternation that she had presented it to the municipality of Bergamo, which had gratefully accepted it. He left the neighbourhood as unobtrusively as possible, and was genuinely relieved when his business commands took him to Rome, where he hoped his identity and that of the famous picture might be lost sight of.

"But he bore on his back the burden of the dead man's genius. On presenting himself one day in the steaming corridor of a vapour bath, he was at once hustled back into his clothes by the proprietor, who was a North Italian, and who emphatically refused to allow the celebrated Fall of Icarus to be publicly on view without the permission of the municipality of Bergamo. Public interest and official vigilance increased as the matter became more widely known, and Deplis was unable to take a simple dip in the sea or river on the hottest afternoon unless clothed up to the collar-bone in a substantial bathing garment. Later on the authorities of Bergamo conceived the idea that salt water might be injurious to the masterpiece, and a perpetual injunction was obtained which debarred the muchly harassed commercial traveller from sea bathing under any circumstances. Altogether, he was fervently thankful when his firm of employers found him a new range of activities in the neighbourhood of Bordeaux. His thankfulness, however, ceased abruptly at the Franco-Italian frontier. An imposing array of official force barred his departure, and he was sternly reminded of the stringent law which forbids the exportation of Italian works of art.

A diplomatic parley ensued between the Luxemburgian and Italian Governments, and at one time the European situation became overcast with the possibilities of trouble. But the Italian Government stood firm; it declined to concern itself in the least with the fortunes or even the existence of Henri Deplis, commercial traveller, but was immovable in its decision that the Fall of Icarus (by the late Pincini, Andreas) at present the property of the municipality of Bergamo, should not leave the country.

"The excitement died down in time, but the unfortunate Deplis, who was of a constitutionally retiring disposition, found himself a few months later once more the storm-centre of a furious controversy. A certain German art expert, who had obtained from the municipality of Bergamo permission to inspect the famous masterpiece, declared it to be a spurious Pincini, probably the work of some pupil whom he had employed in his declining years. The evidence of Deplis on the subject was obviously worthless, as he had been under the influence of the customary narcotics during the long process of pricking in the design. The editor of an Italian art journal refuted the contentions of the German expert and undertook to prove that his private life did not conform to any modern standard of decency. The whole of Italy and Germany were drawn into the dispute, and the rest of Europe was soon involved in the quarrel. There were stormy scenes in the Spanish Parliament, and the University of Copenhagen bestowed a gold medal on the German expert (afterwards sending a commission to examine his proofs on the spot), while two Polish schoolboys in Paris committed suicide to show what they thought of the matter.

"Meanwhile, the unhappy human background fared no better than before, and it was not surprising that he drifted into the ranks of Italian anarchists. Four times at least he was escorted to the frontier as a dangerous and undesirable foreigner, but he was always brought back as the Fall of Icarus (attributed to Pincini, Andreas, early Twentieth Century). And then one day, at an anarchist congress at Genoa, a fellow-worker, in the heat of debate, broke a phial full of corrosive liquid over his back. The red shirt that he was wearing mitigated the effects, but the Icarus was ruined beyond recognition. His assailant was severely reprimanded for assaulting a fellow-anarchist and received seven years imprisonment for defacing a national art treasure. As soon as he was able to leave the hospital Henri Deplis was put across the frontier as an undesirable alien.

"In the quieter streets of Paris, especially in the neighbourhood of the Ministry of Fine Arts, you may sometimes meet a depressed, anxious-looking man, who, if you pass him the time of day, will answer you with a slight Luxemburgian accent. He nurses the illusion that he is one of the lost arms of the Venus de Milo, and hopes that the French Government may be persuaded to buy him. On all other subjects I believe he is tolerably sane."

Monday, January 15, 2007

Esmé by Saki, H.H. Munro

"All hunting stories are the same," said Clovis; "just as all Turf stories are the same, and all--"

"My hunting story isn't a bit like any you've ever heard," said the Baroness. "It happened quite a while ago, when I was about twenty-three. I wasn't living apart from my husband then; you see, neither of us could afford to make the other a separate allowance. In spite of everything that proverbs may say, poverty keeps together more homes than it breaks up. But we always hunted with different packs. All this has nothing to do with the story."

"We haven't arrived at the meet yet. I suppose there was a meet," said Clovis.

"Of course there was a meet," said the Baroness; all the usual crowd were there, especially Constance Broddle. Constance is one of those strapping florid girls that go so well with autumn scenery or Christmas decorations in church. 'I feel a presentiment that something dreadful is going to happen,' she said to me; 'am I looking pale?'

"She was looking about as pale as a beetroot that has suddenly heard bad news.

"'You're looking nicer than usual,' I said, 'but that's so easy for you.' Before she had got the right bearings of this remark we had settled down to business; hounds had found a fox lying out in some gorse-bushes."

"I knew it," said Clovis, "in every fox-hunting story that I've ever heard there's been a fox and some gorse-bushes."

"Constance and I were well mounted," continued the Baroness serenely, "and we had no difficulty in keeping ourselves in the first flight, though it was a fairly stiff run. Towards the finish, however, we must have held rather too independent a line, for we lost the hounds, and found ourselves plodding aimlessly along miles away from anywhere. It was fairly exasperating, and my temper was beginning to let itself go by inches, when on pushing our way through an accommodating hedge we were gladdened by the sight of hounds in full cry in a hollow just beneath us.

"'There they go,' cried Constance, and then added in a gasp, 'In Heaven's name, what are they hunting?'

"It was certainly no mortal fox. It stood more than twice as high, had a short, ugly head, and an enormous thick neck.

"'It's a hyaena,' I cried; 'it must have escaped from Lord Pabham's Park.'

"At that moment the hunted beast turned and faced its pursuers, and the hounds (there were only about six couple of them) stood round in a half-circle and looked foolish. Evidently they had broken away from the rest of the pack on the trail of this alien scent, and were not quite sure how to treat their quarry now they had got him.

"The hyaena hailed our approach with unmistakable relief and demonstrations of friendliness. It had probably been accustomed to uniform kindness from humans, while its first experience of a pack of hounds had left a bad impression. The hounds looked more than ever embarrassed as their quarry paraded its sudden intimacy with us, and the faint toot of a horn in the distance was seized on as a welcome signal for unobtrusive departure. Constance and I and the hyaena were left alone in the gathering twilight

"'What are we to do?' asked Constance.

"'What a person you are for questions,' I said.

"'Well, we can't stay here all night with a hyaena,' she retorted.

"'I don't know what your ideas of comfort are,' I said; 'but I shouldn't think of staying here all night even without a hyaena. My home may be an unhappy one, but at least it has hot and cold water laid on, and domestic service, and other conveniences which we shouldn't find here. We had better make for that ridge of trees to the right; I imagine the Crowley road is just beyond.'

"We trotted off slowly along a faintly marked cart-track, with the beast following cheerfully at our heels.

"'What on earth are we to do with the hyaena?' came the inevitable question.

"'What does one generally do with hyaenas?' I asked crossly.

"'I've never had anything to do with one before,' said Constance.

"'Well, neither have I. If we even knew its sex we might give it a name. Perhaps we might call it Esmé. That would do in either case.'

"There was still sufficient daylight for us to distinguish wayside objects, and our listless spirits gave an upward perk as we came upon a small half-naked gipsy brat picking blackberries from a low-growing bush. The sudden apparition of two horsewomen and a hyaena set it off crying, and in any case we should scarcely have gleaned any useful geographical information from that source; but there was a probability that we might strike a gipsy encampment somewhere along our route. We rode on hopefully but uneventfully for another mile or so.

"'I wonder what that child was doing there,' said Constance presently.

"'Picking blackberries. Obviously.'

"'I don't like the way it cried,' pursued Constance; 'somehow its wail keeps ringing in my ears.'

"I did not chide Constance for her morbid fancies; as a matter of fact the same sensation, of being pursued by a persistent fretful wail, had been forcing itself on my rather over-tired nerves. For company's sake I hulloed to Esmé, who had lagged somewhat behind. With a few springy bounds he drew up level, and then shot past us.

"The wailing accompaniment was explained. The gipsy child was firmly, and I expect painfully, held in his jaws.

"'Merciful Heaven screamed Constance, 'what on earth shall we do? What are we to do?'

"I am perfectly certain that at the Last Judgment Constance will ask more questions than any of the examining Seraphs.

"'Can't we do something?' she persisted tearfully, as Esmé cantered easily along in front of our tired horses.

"Personally I was doing everything that occurred to me at the moment. I stormed and scolded and coaxed in English and French and gamekeeper language; I made absurd, ineffectual cuts in the air with my thongless hunting-crop; I hurled my sandwich case at the brute; in fact, I really don't know what more I could have done. And still we lumbered on through the deepening dusk, with that dark uncouth shape lumbering ahead of us, and a drone of lugubrious music floating in our ears. Suddenly Esmé bounded aside into some thick bushes, where we could not follow; the wail rose to a shriek and then stopped altogether. This part of the story I always hurry over, because it is really rather horrible. When the beast joined us again, after an absence of a few minutes, there was an air of patient understanding about him, as though he knew that he had done something of which we disapproved, but which he felt to be thoroughly justifiable.

"'How can you let that ravening beast trot by your side?' asked Constance. She was looking more than ever like an albino beetroot.

"'In the first place, I can't prevent it,' I said; 'and in the second place, whatever else he may be, I doubt if he's ravening at the present moment.'

"Constance shuddered. 'Do you think the poor little thing suffered much?' came another of her futile questions.

"'The indications were all that way,' I said; 'on the other hand, of course, it may have been crying from sheer temper. Children sometimes do.'

"It was nearly pitch-dark when we emerged suddenly into the highroad. A flash of lights and the whir of a motor went past us at the same moment at uncomfortably close quarters. A thud and a sharp screeching yell followed a second later. The car drew up, and when I had ridden back to the spot I found a young man bending over a dark motionless mass lying by the roadside.

"'You have killed my Esmé I exclaimed bitterly.

"'I'm so awfully sorry,' said the young man; I keep dogs myself, so I know what you must feel about it I'll do anything I can in reparation.'

"'Please bury him at once,' I said; that much I think I may ask of you.'

"'Bring the spade, William,' he called to the chauffeur. Evidently hasty roadside interments were contingencies that had been provided against.

"The digging of a sufficiently large grave took some little time. 'I say, what a magnificent fellow,' said the motorist as the corpse was rolled over into the trench. 'I'm afraid he must have been rather a valuable animal.'

"'He took second in the puppy class at Birmingham last year,' I said resolutely.

"Constance snorted loudly.

"'Don't cry, dear,' I said brokenly; 'it was all over in a, moment. He couldn't have suffered much.'

"'Look here,' said the young fellow desperately, 'you simply must let me do something by way of reparation.'

"I refused sweetly, but as he persisted I let him have my address.

"Of course, we kept our own counsel as to the earlier episodes of the evening. Lord Pabham never advertised the loss of his hyaena; when a strictly fruit-eating animal strayed from his park a year or two previously he was called upon to give compensation in eleven cases of sheep-worrying and practically to re-stock his neighbours' poultry-yards, and an escaped hyaena would have mounted up to something on the scale of a Government grant. The gipsies were equally unobtrusive over their missing offspring; I don't suppose in large encampments they really know to a child or two how many they've got."

The Baroness paused reflectively, and then continued:

"There was a sequel to the adventure, though. I got through the post a charming little diamond brooch, with the name Esmé set in a sprig of rosemary. Incidentally, too, I lost the friendship of Constance Broddle. You see, when I sold the brooch I quite properly refused to give her any share of the proceeds. I pointed out that the Esmé part of the affair was my own invention, and the hyaena part of it belonged to Lord Pabham, if it really was his hyaena, of which, of course, I've no proof."

The Open Window by Saki, H.H. Munro

"MY aunt will be down presently, Mr. Nuttel," said a very self-possessed young lady of fifteen; "in the meantime you must try and put up with me."

Framton Nuttel endeavoured to say the correct something which should duly flatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing.

"I know how it will be," his sister had said when he was preparing to migrate to this rural retreat; "you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice."

Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction, came into the nice division.

"Do you know many of the people round here?" asked the niece, when she judged that they had had sufficient silent communion.

"Hardly a soul," said Framton. "My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here."

He made the last statement in a tone of distinct regret.

"Then you know practically nothing about my aunt?" pursued the self-possessed young lady.

"Only her name and address," admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An undefinable something about the room seemed to suggest masculine habitation.

"Her great tragedy happened just three years ago," said the child; "that would be since your sister's time."

"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place.

"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large French window that opened on to a lawn.

"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?"

"Out through that window, three years ago to a day, her husband and her two young brothers went off for their day's shooting. They never came back. In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it." Here the child's voice lost its self-possessed note and became falteringly human. "Poor aunt always thinks that they will come back some day, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing 'Bertie, why do you bound?' as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window - "

She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance.

"I hope Vera has been amusing you?" she said.

"She has been very interesting," said Framton.

"I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home directly from shooting, and they always come in this way. They've been out for snipe in the marshes to-day, so they'll make a fine mess over my poor carpets. So like you men-folk, isn't it?"

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic; he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary.

"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise," announced Framton, who laboured under the tolerably wide-spread delusion that total strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure. "On the matter of diet they are not so much in agreement," he continued.

"No?" said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened into alert attention - but not to what Framton was saying.

"Here they are at last!" she cried. "Just in time for tea, and don't they look as if they were muddy up to the eyes!"

Framton shivered slightly and turned towards the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.

In the deepening twilight three figures were walking across the lawn towards the window; they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: "I said, Bertie, why do you bound?"

Framton grabbed wildly at his stick and hat; the hall-door, the gravel-drive, and the front gate were dimly-noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid an imminent collision.

"Here we are, my dear," said the bearer of the white mackintosh, coming in through the window; "fairly muddy, but most of it's dry. Who was that who bolted out as we came up?"

"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed off without a word of good-bye or apology when you arrived. One would think he had seen a ghost."

"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone their nerve."

Romance at short notice was her specialty.


Wheatfield by Claude Monet

Return of the Prodigal Son by Rembrandt

The Fall of Icarus by Breugel

Still Life with Coffee Pot by Pissarro

The Birth of Venus by Botticelli

St. Paul's Basilica by Giovanni Paolo Pannini

Cypress Trees with Moon by Vincent Van Gogh

The Empire of Light by Rene Magritte

The Reader by Gerard

Jack-in-Pulpit Abstraction by Georgia O'Keeffe