Monday, June 4, 2007

The Long Jump as Teleportation by Quan Barry

Mexico City, 1968


It only allows itself to be glimpsed.

Though there are prerequisites: the night like a bell jar, the air rarefied & thin.

Because the shortest distance between two points is both memory & forgetting--
00how we remember the moon of the green corn lurching over the sea, sky
00gone the color of absence

& we are there again--the catamaran's ambient listing. Or

the story of one epileptic's diagnosis--art history, how the professor seemed "to blip"
00about the hall, the lecture like an old film w/ frames missing.

Point A. Point B. The hang time in the air. The becoming.

Though it only allows itself to be glimpsed, there is a runway of indeterminate length.

You must think of yourself as both there & gone, arms like a wheel.

If the atmospherics are right, there will be a moment like a broken mirror:
00you will see yourself in a thousand rooms at once, legs airborne
00& desperately pedaling.

Call this consciousness. Call this pure awareness--the being
00focused like a beam.

Because sometimes you can want something too much, there is always a threshold
00& a place to fall.

How many feet to tranquility? How far must we leap until we never look back?

I don't need to know anymore.

Once I was there & then I wasn't.


Wheatfield by Claude Monet

Return of the Prodigal Son by Rembrandt

The Fall of Icarus by Breugel

Still Life with Coffee Pot by Pissarro

The Birth of Venus by Botticelli

St. Paul's Basilica by Giovanni Paolo Pannini

Cypress Trees with Moon by Vincent Van Gogh

The Empire of Light by Rene Magritte

The Reader by Gerard

Jack-in-Pulpit Abstraction by Georgia O'Keeffe